Sekhmet - The Powerful One
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| Sekhmet |
On the February tour of Egypt (as organised by Cecelia and Lindy of Champion
Tours) one of the sites visited by the group was one of the most impressive
temple sites in Egypt - that is the massive temple complex of Karnak, still the
biggest temple complex ever built anywhere.
This complex, with its huge pylon gates, towering statues and obelisks,
sacred lake and the forest of columns known as the Hypostyle hall, is almost
always crowded with visitors. In a quiet corner on the northern perimeter, lies
the rarely visited small temple of the creator god Ptah. In one of three
small chapels, a headless figure of the god is still to be seen - but through an
interleading doorway is the beautiful, black granite, larger than life size
statue of his consort, the lioness-headed goddess Sekhmet.
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| Sekhmet - wall painting |
Ancient Egypt had a number of leonine goddesses but Sekhmet was the most
important of them all. Her name means 'Powerful' or 'The Powerful One' and from
very early times, she was considered to be the daughter of the sun god, Ra.
She's usually depicted as a woman with the head of a lioness, often wearing a
long wig topped with the sun disk. Where she's depicted on a wall, she sometimes
wears a red dress. There are two ideas about this colour - (a) that it signifies
her Lower Egyptian origins or (b) that it shows her war-like nature. A definite
indication of her origins is the papyrus sceptre she sometimes carries - the
plant symbol of Lower Egypt. Although the main cult centre of Sekhmet (with her
consort, Ptah and son, Nefertem) was in the region of present-day Memphis
(ancient Ineb-hedj) there were temples to her in many areas.
As with some other Egyptian goddesses, she had two aspects - one that was
destructive and dangerous and the other that was protective and healing.
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The great Hypostyle hall
at Karnak |
In her dangerous aspect, she was said to breathe fire against enemies of the
Pharoahs and some of them adopted her as their protectress and a symbol of their
own power in battle when they were sometimes said to 'rage like Sekhmet.' She
was a fierce defender of her father, the sun god Ra; she became an important
manifestation of the 'Eye of Ra' who devoured the enemies of the sun god - in
this aspect she was closely associated with the goddess Hat-hor.
The hot desert wind that arises in Egypt at times was called 'the breath of
Sekhmet.' She was also directly associated with pestilence and plagues that were
called the messengers of Sekhmet.
In her protective aspect she could act as a healing deity, even being called
'Sekhmet, mistress of life,' and as such could be persuaded to remove disease or
pestilence by her priests performing a rite called 'appeasing Sekhmet.' In later
times, her priests seem to have played important roles in the magical aspect of
healing - being said to have recited prayers and spells while the physicians
ministered to the patient.
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| The sacred lake at Karnak |
In popular religion, the 'seven arrows of Sekhmet' were particularly feared
and believed to bring bad luck and there were many spells and amulets available
to protect against the anger of this goddess and her messengers. A spell called
'the book of the last day of the year' was recited over a piece of cloth that
was worn around the neck on the potentially dangerous last day of the year; on
new year's day when presents were exchanged, these would often be amulets to
pacify Sekhmet.
Even in modern times the statue of this goddess has inspired awe and even
fear; the statue in the chapel at Karnak was broken early in the 20th century by
local people who feared she might harm their children.
For me, stepping into her small, darkened chapel at Karnak and seeing her
illuminated only by the light that comes from a small opening in the ceiling is,
no matter how many times I've seen her, an awesome and breathtaking sight.
To find out how you can visit these fascinating sites, please contact us on
+27 11 678 4777 or +27 11 478 2884 or email us on:
info@egyptandbeyond.co.za.
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