By Graham Howe
June 2005 Our journey across Morocco takes us across undulating plains
with groves of olive trees and golden wheat-fields to the holy city of
Moulay Idriss clinging to the sides of Mount Zerhoun. A place of pilgrimage,
the shrine of the most revered saint (founder of the first imperial dynasty)
affords awe-inspiring views of the countryside. In a timeless setting,
heavily-laden donkeys carrying bags of produce wait patiently at the
taxi-rank while the farmers drink coffee and play dominoes at cafes on the
square.
In a scene out of a western movie, we are told non-Muslims must get out
of town before sundown. After buying sweet pastries, we ride off to the
incredible Roman ruins of Volubilis, a Unesco World Heritage site. The two
thousand year-old city is one of Morocco’s major tourist attractions –
renowned for its triumphal arch, baths, ancient olive-presses, mosaics and
mansions. At sunset we watched storks nesting noisily on the top of all the
columns – making novel use of the old Roman ruins.
We wake up to market-day in nearby Fez, the oldest of the imperial
cities. When Volubilis was bursting at its seams, Idriss the First decided
Fez would be the new capital in AD 789. The medina of the “green city” – the
spiritual and intellectual heart of Morocco with all its palaces, medersas
and mosques – was declared a Unesco world heritage site to preserve “one of
the largest living medieval cities in the world”. Hamed Mikob, today’s
English-speaking guide, is one of 600 000 residents who live in the warren
of 12 000 covered alleyways in the medina perched on the hillside.
“Balek!” (“Look out!”), yell the mule drivers, forcing their way through
the throng with their heavy loads of hides and market produce. At one of the
sixty mosaic seqqaya (fountains), a mule obstinately refuses to drink
despite its owner’s prodding – confirming the old saying, “You can take a
mule to water but you can’t force it to drink.” A child pickpocket grabs at
my empty back-pocket and misses his mark.
We meet Nour Driss at a spice shop in the medina run by his family for
three generations. He shows us a gallery of framed pictures showing him
selling rare spices and perfumes to celebrity visitors like Bill Clinton,
Steve McQueen and Elton John. He dabs sandalwood and cedarwood perfume on
our wrists, demonstrates the difference between first-grade and poor quality
saffron – and sells us a bag of fiery red spice to make a fragrant tagine
with couscous, the national dish of Morocco.
Making our way beneath the steep covered passages, we reach the beautiful
C19th Nejjarine funduq – a caravanserai for travelling merchants – a
three-tiered courtyard with elaborately carved balustrades and stucco
ceiling. At Maison Berbere, Jalil Badrane shows us his family’s amazing
collection of antique Judaica from the mellah of Fes. We are entranced by a
cornucopia of Barokhetes (“spun in gold and silver thread - from the 14th
century!”), Passover plates, kutubahs, hannukahs and mezuzahs.
Like all the “ancient Berber carpets” in the casbah, everything is for
sale. A merchant with a persuasive sales pitch, Jalil says “everything must
go – make me an offer I can’t refuse.” Some of the holy relics are
originals, some are modern replicas and a few objects d’art are obviously
fakes. Take the grandfather clock “owned by Maiomonides, the great Jewish
scholar” – or the “long-lost” Picasso painted all too recently on an old
medina door. Furtively finding a forged George Braque painting wrapped in
brown paper, Jalil says, “What a bargain – imagine if it is an original.”
Noting our incredulity, he adds, “Some could be fakes.” You don’t say.
The collection of religious relics started by Jalil’s grandfather in 1912
has been featured in Le Monde, Time and the New York Times. Over mint tea in
a Kiddish goblet, he relates the history of the Jews who sought refuge in
Fez in the fourteenth century – and earned the Sultan’s protection by making
the exquisite palace gates. Although many Jews left after the Arab-Israel
wars, a few families remain in the mellah today – looking after the ancient
cemetery and synagogues of the city.
Expelled from Spain, Jews brought the Andalusian arts to Morocco. Their
legacy is evident in the decorative wrought-iron balconies and windows of
the Jewish mellah and the marquetry and mosaics in the synagogue of Ibn
Danan (restored with Unesco funds in 1999). In the Jewish cemetery, the
caretaker showed us the sad tomb of Solica, a 14 year-old girl who was
executed in 1834 when she refused to convert to Islam or the advance of the
Governor of Tangiers. We talk to Israeli tourists, former Moroccan Jews, who
are visiting old family graves while touring the old country.
Next, we followed our nose to the medieval tannery, the heart of the
medina. Many tourists hold a nosegay of mint to dispel the odorous brew of
pigeon poo, cow urine, animal oils and sulphuric acid used to cure and
soften the goat, camel and sheep hides. From an eight-storey eyrie, we watch
hundreds of tannery workers trampling and dyeing animal skins in ancient
limestone baths the same way they have done for centuries. It is the
defining moment of our visit to Morocco, satiating all our senses.
Our guide says the Fassi leather is highly-prized for its quality – that
the highest quality leather is known as “moroquinerie”. Yellow (saffron),
red (poppies), blue (indigo), orange (henna), ochre (clay) and black
(antimony) dyeing vats symbolise the kaleidoscope of colour in the Moroccan
landscape. We come to recognise the same spectrum of colours in the exotic
mosaics, ceramics, fabrics and cuisine around us.
I buy a pair of saffron babouches. “The king’s slippers – made from goat,
lamb and camel skin!” cries Chemal, an enthusiastic shoe salesman. I also
buy black slippers (“Moroccan Nikes!”) to go with my embroidered Berber
tunic with funny knee-high pants designed for leaping high in the air. I
suspect a formal dress event will never be the same again – and practise my
Sahara dance back in the hotel room.
Continuing our journey, we head for Marrakesh, a day’s drive south. The
road winds through a landscape of wheat fields, cypress groves and olive
groves in the foothills of the Middle Atlas. Roadside stalls sell olives,
olive oil and bright red cherries. We buy a bag and feed ourselves and a
troop of Barbary apes amuse us with their playful antics in an ancient cedar
forest. After many cities, it is good to get into the country.
We come across a women’s agricultural cooperative at the roadside.
Inside, Berber peasants press the argan nut into a valuable oil used in
cosmetic creams by the West’s beauty brands. Apparently, the fruit of the
argania spinosa – grown in a protected Unesco biosphere - is highly-prized
for its high vitamin E content. For centuries, locals have used the oil to
relieve rheumatism and to make amlou – a divine paste of argon, honey and
almonds. We buy a small, expensive jar of the miracle wrinkle cure.
A guide relates the incredible story of how the argon nuts are harvested.
She shows us bizarre pictures of goats climbing high in the tree branches,
foraging for the delectable argon nuts. The old goats do their bit for the
rustic argon industry by breaking down the hard outer-shell of the nuts
which pass through their digestive system. Next, the women sort through the
goats’ dung to retrieve the kernels – before toasting, pulping and pressing
the oil. After hearing the legend, we skip the edible paste and move on.
An old sixties song resonates in my head on “the route Marrakesh” –
“Don’t you know I’m riding on the Marrakesh Express. I’ve been saving all my
money just to get you there. I see the garlands in your hair.” Arriving at
the gates of the ochre city, we find the Beats and hippies long gone – and a
toy train which takes tourists around the souvenir souqs. The ancient oasis
for caravans is a modern mecca for tourists.
Set against the snow-capped peaks of the High Atlas, Marrakesh sits on
the fringe of the desert. Founded during the Almoravid dynasty in the
eleventh century, the fabled capital of the South has mesmerised travellers
for centuries. Entering via a tranquil palmeraie (palm grove) planted with
180 000 palm trees, the 12-kilometre long mud-brick ramparts lead us to the
heart of the old city. The Lord of the Atlas, the last pasha of Marrakesh,
ruled the rebellious south until Morocco won independence in 1956.
Dusk on Jemaa el-Fna, the magical town square of Marrakesh, is said to be
one of the greatest spectacles in the world. We join hundreds of people
jostling at open-air food-stalls which suffuse the desert air with spicy
aromas – and are entranced by the hypnotic drumming, strings and singing of
Berber musicians. Illuminated by lamps, the square becomes an open-air
medieval stage for acrobats, jugglers, fire-eaters, snake charmers,
story-tellers, fortune-tellers, herbalists and apothecaries, dancing
chickens and chained performing monkeys (We could have done without the
latter.)
On the final day of our imperial tour, the muezzin wakes us early,
calling the faithful to prayer from the 70-metre high minaret of Koutoubia,
one of the most famous monuments in Morocco. We spend the day exploring the
opulent palaces, lush gardens with pink marble fountains and mud-brick
mosques that define the landscape of the city. The Palais el-Badi, known as
“The Incomparable, one of the most beautiful palaces in the world”, is
renowned for its marble, marquetry and “zellij” – the signature mosaics
which decorate floors, walls and ceilings throughout Morocco.
We watch children carry unbaked breads in covered trays to the bakers in
the souqs. “Are you American?” asks a wide-eyed child, disappointed to find
out we are only from Afrique du Sud. We come across school-children at the
tombs, memorising a verse from the Koran by chanting it over and over. An
apothecary invites us into his shop where he shows us glass jars filled with
arnica oil (“for rheumatism”), oil of orange (“for stress, for the ‘nerfs’”),
rose cream (“for the skin”) and saffron (a catchall cure for “acne, herpes,
spots and infections”, he reassures us). But we leave without buying any
quack cures for Morocco is enough of a balm for the heart and the soul.
Aziz el-Ouane, the last of our guides, explains that Marrakesh means “to
walk fast” – and that Morocco is a corruption of the city’s name. He says
travellers had to walk fast to make the safety of the city gates before they
closed at sunset. Taking our cue, we trot along in the footsteps of the
Sultans on a whistle-stop tour of the tombs, palaces, gardens, mosques and
medina. I finally get to ride the Marrakesh Express.
Fact File: If You Go (280w)
The author was a guest of Qatar Airways who fly directly from South
Africa to Doha with a connecting service to Morocco. Doha is a global travel
hub with onward connections to 63 destinations in Europe, Africa, the Middle
East and the Far-East. Contact Qatar Airways on 0861 861868, 011 523 2928 or
see www.qatarairways.com.
Tour operator: Our itinerary was sponsored by
Egypt and Beyond, a specialist tour operator for North African and the
Middle East based in Johannesburg. Tel: 011 6784777, email:
info@egyptandbeyond.co.za
Profile:
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Travellers voted Qatar Airways one
of the world's top three five-star airlines in a recent poll. From check-in
to in-flight service, meals and drinks and on-schedule flights and
connections, economy class was excellent. The expanding fleet is new with
excellent facilities and good in-flight entertainment in English.
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Costs:
An 8-day tour of Imperial Morocco costs from R5285 per person (excluding
airfares), including half-board accommodation in four-star hotels,
transfers, tours, entrance fees to heritage sites, driver and guide.
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Currency: Dirham 2 = R1,50. The cost of food and beverages is relatively
inexpensive – our meal in the casbah cost under R50 per head. Water, beer
and wine is more expensive at hotels. Guides expect R125 per half-day and a
R20 tip.
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Bartering in the Casbah: Leather goods, jewellery
and ceramics are cheap. Expect to settle about 60% of the initial asking
price for most goods. Be cautious when buying carpets which range in quality
from foreign factory-made to the real thing.
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Time difference = 2 hours ahead of SA.
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Visas: South African passport holders require a visa
obtainable from the Moroccan Consulate in Pretoria via your travel agent.
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